Tag Archives: Anthologies

Gardening Words – A Literary Spring Cleaning

“North wind yanks her long skirt./A hand-knit scarf covers/her tulip-shaped face.”  -Debbie Okun Hill*

Call it a brain freeze or an ice-cream headache: that sensation of eating or drinking an ice cold substance during a hot summer’s day! (Insert laughter here!) Last week, the temperatures soared above 30 degrees Celsius: much too hot for planting seeds!

Lost in Reality TV Snow - Okun Hill - January 9, 2018

This week, the wind off the lake numbs my fingers. Words pile up like snow, like unread books on a shelf, like autumn leaves clogging the eaves trough, like spring cleaning that never gets completed!

Quick, grab me a broom and a rake to smooth out this unruly tangle of rejection slips and word roots gnarled and snarled on my desk and in my yard.

I’m waiting for my garden-gloved fingers to unthaw.

In the meantime, browse through the good news gathered in my in-basket:

CHECK IT OUT!

Am I dreaming? Is that really an ash sapling (one of several) growing in my back yard? Shhhh,  please don’t tell the emerald ash borer!!! Yes I’m still looking for a publisher for my ash tree themed manuscript!

Ash perhaps - May 22, 2018 FB size

Thank you Andrews Gripp of Harmonia Press in London, Ontario for posting three of my poems “Tasseography”, “Rehabilitation” and “Bottled Water” in the third issue of his on-line zine Synaeresis.

Synaeresis Issue Three

Published on-line June 1, 2018 by Harmonia Press

Here’s the line-up of featured poets. More information about Harmonia Press here.

SAMSUNG

Also thank you to the Lake Winnipeg Writers’ Group for including my poems “No Sign of Spring”, “Nocturnal Creatures” and “Turning a Corner” in their latest anthology Voices, Volume 18, Number 1 launched earlier this spring at McNally Robinson Booksellers in Winnipeg, Manitoba. The book arrived a few days ago and I can’t wait to read it. They are organizing a contest for fiction and poetry with an extended June 14 deadline. More information can be found here.

Voices 18-1 LWWG anthology published by BK Publishing - launched May 6, 2018 in Winnipeg, Manitoba Low Res Cover

Published by BK Publishing – launched May 6, 2018 in Winnipeg, Manitoba

Coming soon, a sample of my previously published poems translated into Greek! How cool is that? More details to come!

MARK YOU CALENDARS!

I love watching regional authors bloom.

The Search for Self - by Jindo Shokai

TONIGHT (June 7) at 7 p.m. at the Book Keeper in Sarnia, Ontario, Jindo Shokai (also known at Richard Maxwell) will be launching his debut book, a memoir called The Search for Self: Confessions of a Dying Man (Three Monks Division of L & R Productions, 2018). Local writers will remember Richard from the Spoken Word events held at the Lawrence House Centre for the Arts. Expect an inspiring presentation as Shokai shares his spiritual journey towards Zen Buddhism. Follow this blog for a book review and photos from tonight’s launch.

On June 21, London’s Poet Laureate Tom Cull will lead a workshop on ekphrastic poetry (writing poems inspired by art), 6 to 8:30 p.m. TAP Centre for Creativity, 203 Dundas Street. There is a charge for this event. Advanced registration required. Scroll down to see more info about Cull’s debut book.

On June 22 at 11 a.m. at Maawn Doosh Gumig Community and Youth Centre, 1972 Virgil Avenue, Sarnia, Ontario, indigenous writer David D Plain will launch his latest historical non-fiction book A Brief History of the Saugeen Peninsula.  The event is hosted by Aamjiwnaang Heritage & Culture E Maawizidijig. A previous blog post about Plain appears here.

Aboriginal Day Events June 22, 2017

Micro-press Big Pond Rumours under the ownership of Sharon Berg and based in Sarnia continues to offer publishing opportunities for writers. See the poster below as well as the press’s updated website for current and future activities. Two new prize-winning chapbooks were launched earlier this spring and several readings are being planned for the summer.

Big Pond Rumours Upcoming Projects

And three cheers to local indie bookseller The Book Keeper who continues to invite special guest readers to Sarnia. On June 19, staff have organized an Intimate Evening with Karen Connelly, author of The Change Room. This ticketed event includes a copy of the book, dinner, a glass of wine, and a fantastic night.  Space is limited. More information is available from The Book Keeper.

NEW TO MY BOOKSHELF:

Bad Animals by Tom Cull

Bad Animals (Insomniac Press, 2018) by creative writing instructor and London, Ontario’s current poet laureate Tom Cull. According to the book’s back cover, “Cull’s debut collection is equal parts zoo, funhouse, and curio cabinet.”  The book was officially launched in London, last Friday (June 1), but another reading with Laurie D Graham is planned for June 11, 2018 from 7 to 8:30 p.m. at Open Sesame, 220 King Street West in Kitchener. He will also be reading with Jeffery Donaldson on June 20 at 7 p.m. at Epic Books, 226 Locke Street South in Hamilton. See this blog’s event section for more details.

Thin Moon Psalm (Brick Books, 2007) by Sheri Benning and Lost Gospels (Brick Books, 2010) by Lorri Neilsen Glenn. Thank you to Poetry London for gifting me these two books as partial payment for a recent regional reading I did in London.  I’ve added the books to my summer reading list.

BOOKS ON ORDER:

Our Plan to Save The WorldOur Plan to Save the World , an anthology of short stories by Nancy Kay Clark, Lambton County writer Phyllis Humby, Michael Joll, Steve Nelson, and Frank T. Sikora. Phyllis will be sharing work from this book at a Big Pond Rumours event scheduled for late summer in Sarnia. Follow this blog for more details as well as a review.

The Spoken World: Poems (Hagios Press, 2011 – now available through Radiant Press) by Harold Rhenisch. I’ve been admiring the work of this prolific Canadian poet, short story writer, novelist, blogger, translator, and editor, from a distance. Here’s a link to his author’s website and a link to his many blogs.

The Spoken World by Harold Rhenisch

At the moment, I feel ill-equipped to engage in a meaningful conversation with this talented individual (who recently helped me with some of my work) but my goal is to post a future interview with him. (Wish me luck.) I am particularly interested in this book as it explores Rhenisch’s “relationship with his long time mentor and friend Robin Skelton”. I want to read it first.

People Places Passages: An Anthology of Canadian Writing (Longbridge Books, 2018) edited by Giulia De Gasperi, Delia De Santis and Caroline Morgan Di Giovanni. Bright’s Grove editors Delia De Santis (and the late Venera Fazio) are renowned for their work in promoting Italian-Canadian writers.

People Places PassagesAccording to the publisher’s blurb: “The volume is the most comprehensive collection yet of Italian-Canadian writing, and a milestone in the history of the Association of Italian Canadian Writers (AICW), whose thirtieth anniversary coincides with the publication of this volume.” An interview with De Santis re: her involvement in the project will be posted later this summer.

So much to ponder! Can you feel the June sun nudging the ‘word’ buds to grow?

“Time slips forward….You turn around, refreshed/pink colour returns to your cheeks”**

*From the poem “No Sign of Spring” from the anthology Voices: Volume 18, Number 1 (BK Publishing, 2018) Page 78 Used with permission from the author © Debbie Okun Hill 2018 
**From the poem “Rehabilitation” from the zine Synaeresis III (Harmonia Press, 2018) Page 58-59 Used with permission from the author © Debbie Okun Hill 2018

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Meeting Poe in Dearborn, Michigan, USA

“If ghost trees could speak in tongues/they would speak here and now/converse with Poe’s spirit sailing/rolling inland from Lake Huron” –Debbie Okun Hill

Halloween faded like a tree spirit at the stroke of ‘midnight dreary’ but the image of American poet/short story writer Edgar Allan Poe and his raven remain at my desk.

edgar-allan-poe-and-poet-debbie-okun-hill-october-25-2016_edited-1

American poet/short story writer Edgar Allan Poe attended The Big Read Dearborn festivities in ‘cardboard spirit’.

He’s dead of course. The Poet! He’s been gone since October 7, 1849. Not sure about his ‘nevermore’ quipping raven. However, at this time of year, Poe and his fascination with the macabre and other mystical happenings often resurface in social media photos, quotes, and posts.

Last Tuesday, October 25, the Henry Ford Centennial Library in Dearborn, Michigan, USA, celebrated Poe’s literary contributions through the “Dreaming Dreams Author Meet and Greet” event. The BIG READ DEARBORN festivities included a welcome and a refreshment table plus readings by 18 of the over 150 contributors of the 454-page Poe-themed anthology. According to the event program, “All the proceeds (from book sales) go toward future community-wide reading events in Dearborn.” Definitely, a good cause to support.

Bravo to all the Big Read Dearborn partners and sponsors and contributors who made this project come alive!

My own contribution was small: a two and a half page poetic dream sequence inspired by Poe’s poem “The Raven” and a visit I took to Canatara Park in Sarnia, Ontario, Canada on January 30, 2013. At the time, the Carolinian Forest was losing its ash trees to the emerald ash borer and I was struck by the loss and how the fog was rolling in like Poe’s spirit from Lake Huron. This magical image or gift, as I like to call it, happens seldom, so I knew I had to record the sensation before the words dissipated back into the fog. The sighting of two crows (not ravens) stirred my imagination even more.

Now almost four years later, my Poe-inspired poem shares a home with other literary offerings in a beautiful anthology Dreaming Dreams No Mortal Ever Dared to Dream Before. However, what made this journey to the Henry Ford Centennial Library even more special was that I had never stepped into this beautiful building before. If you are a visitor to the area, I strongly recommend that you stop by. The natural light from all the windows is especially noteworthy and I liked how parking was not an issue.

henry-ford-centennial-library-october-25-2016

The Henry Ford Centennial Library in Dearborn, Michigan, USA.

Although, I’ve visited the Henry Ford Museum and Greenfield Village on several occasions and even toured the Edsel and Eleanor Ford House, I never knew that the library’s 15.3 acre property was deeded by the Ford Motor Company with construction of the memorial building made possible with a generous grant from the Ford Foundation. An additional grant helped with equipment and supplies.

Once inside the building, the first floor Rotunda area warmly welcomes visitors. On this occasion, Edgar Allan Poe stands life-size in ‘cardboard spirit’ for photo opportunities with emerging and established writers. The auditorium was also spacious and filled with spectators and readers. To sit in the audience and listen to all the writers (from the young fellow who needed some added help to reach the microphone to the retiree who shuffled to the podium) was inspiring. Creativity is alive and well. To single out just one or two works would be inappropriate as all the readers deserved applause. Overall the creative contributions rose from eight chapters: Celestial, Dreams, Ghost, Horror, Madness, Mystery, Poetry and Tribute.

dreaming-dreams-author-meet-and-greet-oct-25-2016

Eighteen contributors shared their work during the Dreaming Dreams Author Meet and Greet event held Tuesday, October 25, 2016 at the Henry Ford Centennial Library in Dearborn, Michigan.

If I may quote from the anthology’s back cover: “In this collection of Poe inspired stories and poems, you will find dreams (and nightmares), ghost stories, horrors, madness, mystery, imagination, and even some humor. Read these pages, and dream dreams never dreamt before.”

tree-spirit-october-30-2015-fb-version

“If ghost trees could speak in tongues…”

In the anthology’s introduction, Wolf Disner wrote: “The purpose of this collection is to honor him (Poe) and celebrate his works. Maybe it will even bring him back to life. Stranger things have happened. Trust me.”

If you are a writer, I hope you will keep your eyes open for such magical gifts and experiences. If you are a reader, keep reading….for reading opens up the imagination, takes you places and teaches you insights you may never have thought possible.

For additional information about the Henry Ford Centennial Library, check out their website.

For additional information about Big Read Dearborn and the Dreaming Dreams No Mortal Ever Dared to Dream Before edited by Henry Fischer, Patty Podzikowski, Dan Lodge and Kathryn Takach ISBN 978-1-53529-090-6 click here. The anthology was published by the Dearborn Public Library as part of The Big Read Dearborn, a program of the National Endowment for the Arts (NEA) and managed by Arts Midwest.

*quote is from the poem “Meeting Poe in Canatara Park” by Debbie Okun Hill published in Dreaming Dreams No Mortal Ever Dared to Dream Before, page 403 Copyright © Debbie Okun Hill 2016 used with permission from the author.

TOPS Membership Anthologies: Poetic Teamwork

 

“The rewards of participating in one of our anthologies are many.” – Fran Figge, President, The Ontario Poetry Society

Are you an emerging or professional poet who enjoys contributing to group projects? Being a member of The Ontario Poetry Society (TOPS) has its perks. Each year the executive of this grassroots, poetry-friendly organization brainstorms ideas and book titles before finalizing the submission call themes for its upcoming annual membership anthology. Their goal is to stimulate creativity and to celebrate and showcase the poetic work of its members, no matter where each poet stands in his/her writing career.

The Ontario Poetry Society has published several membership anthologies showcasing both emerging and professional poets. Previous editors/compilers have included such Canadian poets as Norma West Linder, John B. Lee, Kate Marshall Flaherty, Ronnie R. Brown and more.

The Ontario Poetry Society (with the assistance of Beret Days Press) has published several membership anthologies showcasing both emerging and professional poets. Previous editors/compilers have included such Canadian poets as Norma West Linder, John B. Lee, Kate Marshall Flaherty, Ronnie R. Brown and more.

Last year’s SCARLET THISTLES anthology published by Beret Days Press, edited and compiled by Fran Figge with photography by Lynn Tait and layout/design by Mark Clement was a huge success thanks to the editorial/production team as well as the contributors. (Disclaimer: As a former executive member of TOPS, of course, I’m going to applaud the positive attributes of this book. TOPS is an organization I strongly believe in. However, my comments are also based on statistic facts.)

Fran Figge, editor/compiler of SCARLET THISTLES, the largest TOPS membership anthology produced to date.

Fran Figge, editor/compiler of SCARLET THISTLES, the largest TOPS membership anthology produced to date.

According to Figge’s foreword, the 2014 anthology contained “the most contributors of any of our anthologies so far.” Eighty-nine members submitted over 650 poems, with 250 poems eventually selected for the final project. (A list of contributors appears here. ) Poems were divided into five sections: Blood Soaked Grounds, Slash and Burn, Cruel Cuts, Lighting the Dark, and Healing Hurts.

Figge stresses that “good writing brings the reader back again and again.” Those were the poems she was drawn to and those are the poems she recommends poets should submit for future projects like the upcoming MINDSHADOWS membership anthology.

As this year’s editor/compiler, I agree with Figge and would encourage contributors to submit their best work such as award-winning poems or work previously published and accepted by other magazines. Please double check and ensure you own the copyright and reprint rights, Such poems showcase what TOPS members are capable of achieving.

If you’re a new poet hesitating with submitting work for the first time, you’re not alone. Many poets started their writing careers with these anthology projects. Feel free to ask for editorial help from a fellow poet or attend a local writer’s group for constructive advice.

Sometimes it’s fun to create new work specifically for the theme. For example, this 2015 collection will explore the times and events which plague our thoughts. Consider topics associated with Mind Games, Night Life, Shadows & Hauntings and Lighting the Dark but don’t wait too long.

Working hard behind the scenes: Mark Clement, TOPS layout designer/webmaster.

Working hard behind the scenes: Mark Clement, TOPS layout designer/webmaster.

The March 15, 2015 deadline is fast approaching. Submission guidelines can be found here. Remember the call is only open to members of The Ontario Poetry Society. Members do not need to be Ontario residents. Special thanks to Canadian poets Elana Wolff and Katerina Fretwell who will provide illustrations for the book and Mark Clement who will be responsible for the design and layout.

Below are additional insights shared by Figge in an e-mail interview.

In your role as President and as the editor of SCARLET THISTLES what do you feel are the benefits of submitting work and participating in the membership anthology?

The rewards of participating in one of our anthologies are many. Not only do you have an incentive, a focus to write poems for a specific topic, but there is not the same pressure or uncertainty as when entering a contest. You are guaranteed to have at least two poems published in the anthology and get a copy of a beautifully designed book for less than the cost that it takes to enter most contests.

TOPS founder I. B. Iskov with a shipment of SCARLET THISTLES to be sent to participating poets.

TOPS founder Bunny Iskov with a shipment of SCARLET THISTLES membership anthologies sent to participating poets last autumn.

There is the satisfaction of knowing that your work will be seen, which is what most poets want, to share their work with others. You get exposure. You have a chance to be recognized by your peers. It’s also an opportunity to see how your work fits in with other peoples’ ideas and styles as well as lets you see other types of poetry writing that might inspire you in the future.

Submitting to an anthology can be a valuable learning tool as well. It’s a chance to analyze why certain poems were chosen over others.

What techniques were successfully used in the chosen poems? Were editing suggestions made? What did they entail?  Can you figure out why those edits were made? Were the poems that were not chosen too wordy, prosy, or abstract? Were there spelling errors, improper verb tenses, too much repetition? What can you add to your routine of self-checking that addresses these issues?

By taking the time to think about these questions, you are sure to improve your writing.

Based on your experience with editing last year’s anthology, what advice would you give to a poet who wants to participate in this year’s anthology? For example, what should they do and what should they avoid?

Good writing brings the reader back again and again. In order to do that, it must be new, fresh, stand out from other pieces. How is that accomplished?

The Ontario Poetry Society

The Ontario Poetry Society

Poetry requires an economy of words that necessitates the writer be concise. Use of a dictionary and thesaurus makes it easier to avoid repetition and correct spelling.

There must be a depth of meaning that will be rewarding on second or third reading. Present something in a new way, have a thought-provoking take on a subject, use interesting language and a fresh use of words, avoid clichés: all good practices for accomplishing this.

The photos of award-winning poet/photographer Lynn Tait have graced the covers of several TOPS books including the most recent membership anthology SCARLET THISTLES (Beret Days Press, 2014).

The photos of award-winning poet/photographer Lynn Tait have graced the covers of several TOPS books including the most recent membership anthology SCARLET THISTLES (Beret Days Press, 2014). Tait also co-edited (with the late Adele Kearns Thomas) TOPS Sounding the Seconds membership anthology in 2008. Photo courtesy: Melissa Upfold of Calculated Colour Co. 2014.

Use concrete examples instead of abstract ideas as an effective way to keep up interest. Show the reader rather than tell. All of these techniques can only improve on the effectiveness of the work.

Make sure your work is polished. After writing your poem, let it sit for a few days then go back and read it again. Is there anything that stands out that you might change? Do this several times until no revisions come to mind and you should be very happy with the results.

Thanks Fran for taking time out of your busy schedule to chat!

If you are an experienced poet and/or illustrator and would like to be considered for a volunteer editor/compiler, illustrator or contest judge for future projects, please sent a brief resume outlining your qualifications and your interest in volunteering to Bunny Iskov, founding member of The Ontario Poetry Society. Additional information about the organization can be found here.