He couldn’t remember growing old. It hit him like a freak thunderstorm on a sunny afternoon– Diana Koch*
Local author Diana Koch’s work appears flawless. The only wrinkles in Prime Time Stories, her debut short story collection, are found on the faces and hands of her characters. Almost all of her protagonists are older, coping with various challenges in the later stages of their lives. The suspense (what they ‘do or don’t do’) propels the reader to turn the page in rapid succession.
Meet Mary, the woman who was now as withered as a forgotten summer apple that had rolled unnoticed under a storage bin. Sneak into Ivan Leeson’s barn as this widower/farmer touches the sinewy roughness of a rope as he contemplates suicide.
Will Mrs. M., a retirement home resident, lonely and confined to a wheelchair, be scammed by one of her visitors? What will become of Taylor Montgomery, a rich woman who steals trivial items to cope with her husband’s affairs? As Koch writes, Youth, in a slow trickle, is seeping out of her.
This focus on ageing (in its various forms) is like the yolk and egg whites that hold the nourishing bread of her book together. Consider it a loaf of 24 stories sliced and packaged with crusted secrets, yeast-bubbled humour, heart-warming sugar, flour-coated hauntings, unexpected crumbs, and cinnamon-twisted endings.
Like a baker or pastry chef, Koch slips in special ingredients to enhance the flavour of her work. Most notable is her use of the five senses such as scent: the captivating fragrance of “Promise Me” wafting around her like an exotic butterfly, the sweet smell of wood shavings and sound: the slamming of screen doors…his heavy steps on the stairs…water running in the bathroom…the ring of a telephone… the clanging of cutlery….
With a dinner-knife-sharpened imagination, she spreads her thoughts out like butter. The rhythm and flow of her words are silky-smooth and her sunny-yellow disposition slips between the sandwiched narrative and dialogue of her short stories.
There’s a caring motherly-maturity in her literary voice and yet, her intelligence fueled by her long career in the educational field adds a layer of depth to her writing. Don’t let her mild demeanor fool you. Some of her fictional material is more sinister than her settings let on.
Her characters are easily recognizable with just enough quirkiness to make them interesting. One of my favourite descriptions is from the story “Albino” where she writes, He stomped through the mire of daily living with bricks in his shoes, and a neon sign on his head that challenged people to gawk at him as if he were an invasive species.
Another strong description appears in “Assassin of Dream” where it was her unusual eyes that made people turn and stare at her. One was the brilliant blue of a summer sky, the other as brown as a chestnut.
Koch insists her stories are just average tales not worthy of notoriety. Those who are familiar with her work would disagree. Her fictional narratives are too strong to sit in a drawer.
The first time she shared her work aloud at a local writers’ workshop, I was mesmerized. The first time she submitted a story to a contest, it won first prize in the Ten Stories High Annual Short Story Competition organized by the Niagara Branch of the Canadian Authors Association.
When she officially released Prime Time Stories last November 27, 2016 at The Book Keeper in Sarnia, her family and friends applauded loudly.
This summer, I asked Diana to share her thoughts about her writing process. Below are her responses:
Congratulations Diana on your debut collection of short stories! In a sentence or two, describe the theme or thread that binds your stories together. What inspired you to focus on characters in the ‘prime time’ of their lives?
Prime Time Stories introduces the reader to people who are faced with an emotional crisis that must be dealt with in order for them to move on with their lives. The characters in these stories are from diverse walks of life, but all have dilemmas that cause them distress. Prime Time provides the reader an intimate view of people who have already travelled through the spring and summer of their lives and must somehow find their way toward a satisfying future. (Spoiler alert – some are successful, others not.)
People are fascinating at all stages of life, but they become more interesting as they grow older. Over the years, we have many experiences and interactions with our fellow humans, some positive, others that bring discontent or even heart-break. We make choices that determine our destiny. On some occasions, Fate plays a role. Lives become more complex when there are secrets, betrayals, regrets. (Provocative recipe ingredients for stories!) In the end, we all search for happiness, or at the very least, a degree of contentment or peace of mind.
Which of your stories in this book is your most favourite and why is it important to you?
Although all the people in Prime Time are fictitious, I have come to know them well. Ivan Leeson in the story “When the Dog Barks” is a favourite. I grew up on a farm and understand the pride and attachment that farm people have to their land. As people age, they are often forced to give up a way of life that sustained them economically and emotionally. Ivan Leeson finds himself in this unfortunate situation. Although he had hoped for a different ending to his life, ultimately, he faces his future with the courage of his pioneer ancestors. Ivan Leeson reminds me of my Dad.
Your story “Rats is the Cellar” won first place in the Niagara Branch of the Canadian Author Association’s Ten Stories High Annual Short Story Competition. I recall it was the first story you ever submitted to a contest and it won the top prize. How did it feel to receive this honour? Is it important for writers to enter their work into contests or to submit their work to literary journals or consumer magazines? Why or why not?
To say I was surprised to learn that “Rats in the Cellar” had been selected as top prize is an understatement. If you recall, I submitted the story at your suggestion. I had no ambition at that point to have any of my writing published. It was thrilling to see my work in print in the anthology Ten Stories High. The experience encouraged me to keep writing and helped me overcome the shyness of sharing my work with others. I believe that my writing has improved and matured because I gained confidence to have my work critiqued and considered for publication.
Many of your stories have a twist at the end. Where do you find the ideas for your stories?
People intrigue me. I like to watch them and have conversations.
Sometimes, a few words strike me as significant. That was the case when a friend, who volunteers at a retirement home told me about a resident who “sits and waits for visitors who never show up.” It inspired the story “Waiting for Rhonda”.
A few years ago while in Toronto, I observed an attractive, exquisitely dressed and groomed woman in a coffee shop. She was sitting alone, clutching her handbag and staring into space. Her sombre expression suggested that all was not well in her life. She became the protagonist in “Taylor Montgomery Plays Chicken”.
Newspaper articles can also be an inspiration for stories. I once read about a man who had spent considerable time and money building his own coffin. Why would someone do that? My musing resulted in “Magnum Opus”.
Other times, I imagine what it would be like to lead a totally different life from my own. How would I feel? What would I do? How resilient would I be? “The Sewing Circle” is such a story.
The twist at the end of my stories? Isn’t life like that? We think we have a plan, a certain path we wish to follow, a goal in sight – then something unexpected happens and everything changes.
You had a long and successful career in the educational field. When did you decide that you wanted to write on a more regular basis?
I have always enjoyed putting thoughts on paper. I took pleasure in letter writing when that was in vogue. From the time I was a child, I fabricated stories – not always with the blessing of my Mom! Writing fiction became a serious past-time after I retired. I find the process of creative thinking satisfying and relaxing.
Describe your writing process.
Almost always, the process begins with a main character. It’s important that the character has a name. From that point, physical attributes and personality develop. It often takes weeks, months, sometimes years before I truly know that character. Only then can I build a story. It happens in my head before I can write it.
I am a methodical writer. I need time to let a story develop and grow. However, once it is written, I seldom change either the character or the plot. I do many revisions to mechanics such as sentence structure and vocabulary, but the story remains the same because it is character driven.
What are you currently working on?
I’m still writing short stories. I like the variety and the neatness of completing a project in just a few pages and then moving on to something new. My writing style tends to be succinct and lends itself to the short story format.
I have one completed novel. It is a coming of age story that takes place in Germany during WWII. For years, the characters and story rattled around in my head until I finally succumbed to the irritating mental prod to write it.
Currently, I am also working on a second novel about a modern-day woman who is the reincarnation of a historical figure from the 19th century – basically a story within a story. At the moment, it’s causing me some grief. One of the characters is not cooperating. I will have to give her some one on one attention.
What are your future plans?
I’m happy to continue writing at my own pace, with abundant time to think things through. Aside from completing the novel, I hope to revisit a collection of short stories called Loss of Innocence that I wrote several years ago.
Your work is so strong and yet you decided to self-publish your collection versus submit your work to a trade publisher. Would you follow this path for your next book? Why or what not?
My decision to self-publish Prime Time was an easy one for a number of reasons.
After doing some research, I discovered that books of short stories are not popular with publishers. I also wanted to experience the publishing process myself. I enjoyed the creative aspects of designing the actual book – format, font, and cover. My writer friend Bob McCarthy was a great mentor in the process.
By self-publishing, I was able to get a sense of how readers respond to my writing. It has been a positive experience beyond my expectations.
Seeking a suitable agent and publisher is a time consuming task. So much more than writing is expected of authors. I’m still not certain that I have the talent or the resilience to deal with agents and publishers.
It gives me pleasure to write. My reward comes from readers who enjoy reading my work. With that in mind, I will have to make a decision regarding my completed novel, The Button Girl.
Thanks Diana. Over the years, you’ve shared several draft chapters of your books with various local and out-of-town writers’ groups. I can’t wait to see more of your work in print. I wish you continued success with your writing. Please keep in touch.
Diana Koch was born in the Netherlands. She arrived in Canada as a young child with her parents and younger sister. Raised on a farm, she developed a love for the outdoors and spent many hours reading in the apple orchard or daydreaming in the meadow. Her collection of stories Loss of Innocence (as yet unpublished) relates the experiences of an immigrant child growing up in rural Ontario.
After graduating from the University of Western Ontario, she taught French and German at the secondary level, and a variety of subjects in elementary schools. She obtained a Masters degree in education and enjoyed the years in her leadership role as Principal.
Since retirement, she has spent many enjoyable hours reading and writing. Some of her work has been published in chapbooks and anthologies. Prime Time is her first published book.
Additional information about Prime Time can be found on The Book Keeper website.