“Returning from a night ride,/the bat takes off his leathers.” – Tom Cull*
I laugh as I read and review this new book.
Let’s say bad animals (Insomniac Press 2018) is a hybrid between “a Red Bull of owls” hoot-enanny and “a threnody of hyenas”. Created by Tom Cull, London Ontario’s current poet laureate and a new poetic voice in the CanLit scene, this pocket-sized book (with a beaver-inspired cover) overflows with his fun-filled humour as he shines a flashlight on underlying concerns with our changing environment.
Tom Cull’s bad animals was officially launched June 1, 2018 at London Bicycle Café in London, Ontario.
Overall, I liked Cull’s approach. His impressive debut collection of 41 wild (think mischievous) and bad-animal inspired poems surprised me (in a good way) with his surreal yet accessible images: drowning machines, a poet of dodos, Saturday six-pack anglers, schools of strollers, and a plethora of four- and two-legged animals including swimming pigs and teenaged boys!
“But our/yearning to hear fills our ears the way seashells will imitate real//roar of ocean wave, appearing/disappearing.”* – Penn Kemp
Canadian poetPenn Kemploves ‘sound’ and her book Barbaric Cultural Practice(Quattro Books, 2016) astounds me with her word play, her vocalized chords, and the musical rhythms of her poetic stanzas. She is the barbaric activist riding her horse at full tilt and the experienced voice “in the yellow cornfield of your mind.” (p. 39) The key is to listen carefully to catch each nuance before the next line appears.
Barbaric Cultural Practice (Quattro Books, 2016) features 72 poems by Penn Kemp.
Divided into five sections (Electrical Events, Light Eats, Heart and Stroke Foundation, In Dream Sequins, and Wild Crafting), her recent 112-page book includes 72 poems that challenge the status quo of the world. Her interest in nature, dreams, and Goddesses plus the way politics, technology, and global warming can interfere with our well-being are prevalent threads in this collection.