Tag Archives: Poets

#HeartwoodPoet – For the Love of Trees

“Poems fall like leaves until/wheelbarrows sag from collected rain.” -Debbie Okun Hill*

Yesterday’s e-mail from the League of Canadian Poets arrived unexpectedly like the popped cork from a champagne bottle.

“We are so excited that Heartwood is finally out in the world!” wrote Madison Stoner, Communications Coordinator for the League.

Heartwood - front cover image

Heartwood is published by The League of Canadian Poets, 2018. It includes 154 poems by League poets representing every province and territory in Canada.

I could feel the effervescence tingling in her words and the anticipated release of congratulatory balloons on a Facebook page. Bravo to editor Lesley Strutt and all the Canadian contributors and compilers and designers and more who worked behind the scenes on this important project. The League’s fundraising anthology Heartwood: Poems for the Love of Trees reinforced my own interest in nature and the importance of trees for our well-being. How wonderful to know that others felt the same way. I was pleased to tag along!

According to the Amazon posting, this collection published by the League “features poets from every province and territory celebrating the immeasurable value trees have for the environment and the soul.”

“Trees matter,” wrote Strutt on the back cover of the 288-page anthology, “and we have written about them with the windows of our hearts open, breathing in the good air that the forests provide.”

As one of over 100  #HeartwoodPoets involved in the project, I’m thrilled that the first section of my long poem “This trail of phragmites shrouds” was included in the book.

HEARTWOOD CONTRIBUTOR HD

Special thanks to the League of Canadian Poets for including my poem “This trail of phragmites shrouds – Part I” in its new fundraising anthology.

Since May 2011 (and also thanks to an Ontario Arts Council Writers’ Reserve Grant), I have written over 100 poems about southwestern Ontario’s ash trees destroyed by the invasive emerald ash borer. This particular poem was inspired by Bright’s Grove artist Mary Abma’s Signposts & Traces Ash Tree Memorial Trail installed in the spring of 2017 at Canatara Park in Sarnia, Ontario, Canada. The poem described segments of the memorial service that she organized. More information about that service appears here. More information about Mary Abma’s project appears here. More information about the status of my ash-tree book…well, that will be shared at another time.

April 28 to May 2017

My tree-themed poem was inspired by the Ash Tree Memorial Performance organized by Bright’s Grove artist Mary Abma. The outdoor event was held April 29, 2017 at Canatara Park in Sarnia, Ontario, Canada.

Another local poet involved in the League’s Heartwood anthology is Lynn Tait.  Her poem “If Our Mother Was a Tree” is featured. Tait is also a photographer and tree lover. According to the anthology notes, she “has published poetry in CV2, Freefall, Windsor Review, Literary Review of Canada, and in over 90 anthologies.

Sarnia audiences will also be familiar with these out-of-town contributors who have read in the area over the years: Allan Briesmaster, Keith Inman, John B. Lee, Michael Mirolla, Chad Norman, Vanessa Shields, and Glen Sorestad. Anthology contributor Heather Cadsby will be reading in Sarnia at the end of August. Also a special shout-out to Penn Kemp, London’s first poet laureate who has worked with area children as part of the League’s Poet In the Schools program.

However, there’s more than just a local connection to this national project.

In addition to the 154 tree-themed poems written by League members from across Canada, the book includes photographs by Chuck Willemsen and a foreword by Diana Beresford-Kroeger, author of The Sweetness of a Simple Life and The Global Forest: 40 ways trees can save us.

“We must turn to the poets to expand dreams,” wrote Beresford-Kroeger for the book’s back cover. “This is because trees are the parents to the child deep within us.” See her full quote below:

Heartwood - back cover image

“Praise for “Heartwood: Poems For the Love of Trees” published by the League of Canadian Poets.

Contributors are being encouraged to organize and attend launch readings across the country. As the League website states: “Interested hosts can organize a joint screening and launch for Heartwood: Poems for the Love of Trees and the 1-hour documentary Call of the Forest: The Forgotten Wisdom of Trees.” What an excellent idea!

Last night, outside my window, Amur maples and Austrian pine waltzed in the rain. Liquid confetti drummed over the tree crowns. Such a joyous outburst!

This morning at my desk, the celebration continues.

“What can the trees teach us?”

I open the patio door, step outside, and breathe in the moist air.

Stay tuned to the League’s social media to find out about a Heartwood launch near you. Check out the twitter hashtags: #HeartwoodPoet #LCPHeartwood

Once additional information becomes available, I will also post Ontario launch details in the event section of this blog.

Read more about the book here.

The League also has an article about the book here.

According to its website, the League of Canadian Poets is “the professional organization for established and emerging Canadian poets. Founded in 1966 to nurture the advancement of poetry in Canada, and the promotion of the interests of poets, it now comprises over 700 members.”

I tip my water-filled wineglass to the trees, “Cheers!!” Looking forward to reading this anthology beneath a healthy green canopy.

Follow this blog for future Canadian poet profiles, literary news, and reviews.

Coming soon: an interview with Canadian poet/editor Harold Rhenisch, Electronic Writer in Residence for the Niagara Branch of the Canadian Authors Association.

*From the poem “This trail of phragmites shrouds – Part I” from the anthology Heartwood: Poems for the Love of Trees (The League of Canadian Poets, 2018) Used with permission from the author © Debbie Okun Hill 2018
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Interrogating the Local – Deadline Approaches for Brooklin Poetry Society’s Inaugural Contest

Another summer poetry contest? Sure, why not? You don’t live in Brooklin? No worries! I’ve never been there either. Just, take your notepad and jot down what’s happening in your own neighbourhood. Or better yet, grab a GPS and ‘interrogate the locals’ from another area! Don’t wait another minute!

Brooklin Poetry Society 2018 contest flyer copy (1)

Deadline for submissions is July 31, 2018.

Poets have less than two weeks to polish their “local” themed poems for the Brooklin Poetry Society’s Inaugural Contest. Digital submissions are being accepted until midnight, July 31, 2018. As the contest judge, I look forward to reading your new and unpublished poetry.

What constitutes a prize-winning poem?  First of all, follow the contest guidelines! You’ll find them here on the Brooklin Poetry Society’s website.

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Write the poem that only you can write!

Consider the theme: “interrogating the local”!  The contest organizers have even listed a few questions for reflection: “what does it mean to locate oneself in a given area? How significant are local communities in a globalized world? Why do we identify ourselves as local? How can we understand that term? How does the local speak to you?”

Don’t bore me with an essay! The guidelines state: “Poets are free to interpret the theme as they wish!” Have fun! Stretch your imagination like an elastic! Toss your words like frisbees into the air and see where they land!

I repeat, “don’t bore me”: Avoid the ordinary and ‘absolutely NO’ clichés unless they mimic the local language. This is a poetry contest: be poetic. Make sure each line scans well. Read it aloud! Show me with metaphors and similes. Use the five senses so I can taste the local pickerel or hear the coo of a regional bird or smell the bus diesel or feel the coarse texture of a brick school. Rant or rave if you wish!

Pay attention to your title. Razzle-dazzle with strong introductory lines and memorable last lines! Write the poem that only you can write. Move me emotionally or intellectually or both.

Consider local nuances. For example, whenever I travel by foot or car or bus or train or plane, I am reminded that each village, town, or city streetscape showcases its own characteristics. Where I live, summer is the season for local cherries, local festivals, and sunsets along local beaches. On the prairies, fresh picked saskatoons and home-made perogies with sour cream and fried onions are local favourites.

Will our global, transient, and nomadic wanderings eventually blur out the locals?

Can an animal or tree be local? Can you ever be a local again once you move from your hometown? How do you feel about the terms “buy local” or “locally made”?

From city rooftop mouse…to massive country mouse….I mean raccoon….

So many questions! Are you feeling inspired yet? Try brainstorming new ideas!

Still not sure about the value of entering contests, check my February 2015 blog post: “Poetry Contests: Is It Poetic Gambling?”

And who exactly is the Brooklin Poetry Society? Learn more here. They are a group based in the Durham Region of Ontario. Meet some of its members here.

Remember this contest is blind judging. I am not a member but have met several of the contest organizers in my travels.

Wishing you much success with your writing!

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Keep mining for those ‘local’ gems.

 FOLLOW THIS BLOG FOR FUTURE CANADIAN LITERARY REVIEWS, EVENTS, AND AUTHOR/POET PROFILES.

 

 

 

#pocketpoem with Canadian Poet Bernice Lever

Have you checked your pockets lately? Today (April 26) is Poem In Your Pocket Day and The League of Canadian Poets is encouraging bards (and the general public) to “carry a poem, share a poem, or even start your own Poem In Your Pocket event.”

Anything can happen during National Poetry Month!

Poem in Your Pocket 2018 - Not Just My Bunions by Bernice Lever

What a surprise! A postcard with the poem “Not Just My Bunions” by Bernice Lever arrived in my mailbox this week.

A few days ago, to my surprise, an unusual postcard appeared in my mailbox. On the front of the card was a poem: “Not Just My Bunions” by Bernice Lever. I laughed! Move over Rupi Kaur, the Indian-Canadian poet who recently became a household name penning poems about menstrual cycles and other intimate bodily concerns. Kaur’s books Milk and Honey (which I did read) and The Sun and Her Flowers (which I may not read) have attracted large followings by the general public.

Forward-thinking and daring poet Bernice Lever also likes to push the boundaries of what is acceptable: her postcard poem about bunions and crooked noses originally appeared in her book Yet Woman I Am (Highway BookShop Press, 1979) and just a few years ago, in her 10th book Small Acts (Black Moss Press, 2016) she penned in her poem “Faceless – Too Many Proposals”: “I am only 80, but I shock listeners & readers,/by my descriptions of delicious orgasms at 90!”

Both women write edgy (and accessible) work. Not everyone will like this type of poetry just like not everyone likes rhyming poetry or the obscure verse analyzed in high school literature classes. However, that is the beauty of poetry. I have a philosophy, “if you don’t like poetry, you haven’t read the right poem yet. Poetry is as varied as music, as art, as dance.”

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Canadian poet Bernice Lever feels honoured and delighted that her poem was one of 20 Canadian works featured in this year’s Poem in Your Pocket Day literature. Photo by Juergen Bruhns

Lever’s work can also be humorous and inspirational. Her contributions to the literary scene are far reaching and according to her author bio: “she has won four Lifetime Achievement awards including the Canadian Author Association (CAA) Sangster Award, 2005.

Back to the postcard: what a great way to share and introduce poems with the public! On the other side of Lever’s postcard poem is a note: “This postcard showcases one of 20 poems selected by The League of Canadian Poets to celebrate the 20th anniversary of National Poetry Month in Canada: hand it out, drop it off, or send it to a friend.”

So here’s my plan. I’ve decided to share the postcard on my blog with the hope that others will take the poem (and/or this blog) and share it today as part of the #pocketpoem celebration! It’s just a small act of kindness which leads me back to Bernice Lever again!

To fully appreciate Lever, visit her Colour of Words website . A year ago, I wrote a review for her 10th poetry collection Small Acts. It is reprinted below with permission from The Ontario Poetry Society and the editor of Verse Afire where the review first appeared in the May to August 2017 issue.

Book Review

Small Acts by Bernice Lever; Black Moss Press, 2017, 68 pages; I.S.B.N. 978-0-88753-571-0    

“Oh, Mother Ocean, we’re sorry,” laments Canadian poet Bernice Lever in the opening environmental-themed poem of her 10th and most recent book. Not only does this award-winning and prolific author dive deep into her poetic “wave of words” but she skillfully breaststrokes through an additional 40 poems seamlessly harboured in such sections as ‘Water Wisdom’, ‘Love and Gambles’, ‘Poets and Fakes’. In her closing poem, she quips “Great Grannies are the latest in-demand category”. Heartfelt experiences matter.

Small Acts by Bernice Lever

Small Acts is Bernice Lever’s 10th book. It was published by Black Moss Press in 2016.

Titled Small Acts, Lever’s 68-page poetry collection compliments the Random Acts of Kindness movement, like a lifesaving buoy, where strangers go out of their way to help other strangers. Using accessible yet precise words to describe complex concepts such as concern for the environment, peace, love, and even the ramifications of social media, Lever often asks questions, shares humorous tongue-in-cheek rants and provides serious lessons based on her observations. For example, “may our words on water not sink”, “Be a peace gardener”, “Be an anger soother”. In the poem “Say ‘Thank You’, she concludes: “Gifts – all these are given to preserve/our many blessings of being alive.”

Her best poetic lines twist and swirl the imagination: “The glow from mom’s eyes/some where between warm caramel/and creamy cocoa” and “We pray for lashes of rain/deep puddles everywhere,/day long torrents of Heaven’s tears.”. In addressing Facebook, she rants, “You are a fake book, all blank pages for us/to donate our fake lives.”

Written by an experienced and life member of The Ontario Poetry Society and many other literary organizations, Small Acts nudges the reader to “float free”, to create word-waves, to turn this world into a better place.

I’m looking forward to chatting with Bernice during a less busy time.  A Q & A will be posted soon. Follow this blog for an update.

Get more poems in your pockets!

Additional information about Poem In Your Pocket Day, more postcards as well as the full selection of postcard poems can be found on The League of Canadian Poets website.

Check the resources available to teachers.

And finally, as the League reminds us: “if you’re participating online, be sure to tag @CanadianPoets and use the hashtags #NPM18 and #pocketpoem!”

National Poetry Month Events:

Here are additional reminders of other National Poetry Month events taking place in the London and Sarnia area:

April 2018 - NPM2018_Poster-665x1024

National Poetry Month 2018 officially started on April 1, 2018 and will continue until the end of the month.

Tonight (April 26) from 6 to 7 p.m., the COUPLETS: a collaborative poetry reading series will present Andy Verboom and Angie Quick for this month’s feature at The Arts Project on 203 Dundas Street in London, Ontario. Please note the last-minute change in the featured readers. More info about Couplets can be found here.

This Saturday, April 28, Sarnia-Lambton’s #NPM18 event will feature out-of-town readers Marty Gervais, Kateri Lanthier, and Laurie Smith and local poets Ryan Gibbs, Lois Nantais and Grace Vermeer at the Famous Room in John’s Restaurant, 1643 London Line in Sarnia. A pre-reading dinner that allows audience members to mingle with the guest readers will begin at 5 p.m. with the free reading to start at 6:30 p.m. (Please note: the earlier start-time for the dinner.) This National Poetry Month reading is made possible with financial assistance from The League of Canadian Poets.

FOLLOW THIS BLOG FOR FUTURE REVIEWS AND CANADIAN POET PROFILES!

Happy National Poetry Month Everyone!

 

Lummox Press Seeks Poetry for New “Canadian Only” Anthology

If you’re a Canadian poet, polish up your poems but don’t wait too long! Lummox Press of San Pedro, California wants to see your best work for a new “Canadian Only” anthology. The deadline for submissions is February 7, 2018.

LUMMOX 6 - Sarnia reading - James Deahl - Photo 1 November 18, 2017

Canadian poet James Deahl will edit a new “Canadian Only” poetry anthology for Lummox Press. The book is expected to be released in October or November 2018 with readings in early 2019.

 

James Deahl (the Canadian poet assigned to edit the project) has already started some of the pre-editing but expects more poetry to come in over the next few weeks. The target size of the book will be 200 pages.

“My working title is Tamaracks: Canadian poetry for the 21st century,” he said. “Publication should be in late October/November…There will be contributors’ readings early next year in cities like Toronto, Ottawa, Hamilton, Sarnia, etc. Los Angeles too. All contributors will be invited to participate in all readings.”

Deahl’s passion for poetry is evident. He is the author of 26 literary titles and many of his accomplishments have been featured on this blog before. Two of his books To Be With a Woman (2016) and Unbroken Lines (2015) have been published by Lummox Press. For four years he has also encouraged Canadian poets to submit work to LUMMOX, an American poetry anthology published by the same press and has helped to organize Canadian launches for these books.

LUMMOX 6 - Sarnia reading - N. Leonard Segall - Photo 1 November 18, 2017

Leonard Segall, board rep, Lawrence House Centre for the Arts, says a few words at the Lummox Number 6 launch in Sarnia.

 

Last fall, several Canadian contributors of LUMMOX Number 6 participated in a reading in Hamilton.

On November 18, the Lawrence House Centre for the Arts hosted a launch for the same anthology in Sarnia.

The 216-page anthology featured the work of over 150 poets from the United States, Canada, the U.K., Australia, China, and Dubai.

Seven of the 23 Canadian contributors plus a previous Canadian contributor were on hand to share their work during this afternoon event.

Additional information about the anthology featuring American, Canadian, and International poets and authors appears here.

Below are additional images highlighting that event:

LUMMOX Six Sarnia launch November 18, 2017 at the Lawrence House - featured readers

Canadian poets were well represented in LUMMOX Number 6 published by Lummox Press in San Pedro, California.

 

LUMMOX 6 - Sarnia reading - Group - Photo 1 November 18, 2017

Several LUMMOX contributors shared their work during the November 18, 2017 launch at the Lawrence House Centre for the Arts in Sarnia. From left to right: Rhonda Melanson, Grace Vermeer, Lynn Tait, David Haskins, Debbie Okun Hill, James Deahl, Norma West Linder, and Jennifer L. Foster.

 

Submissions for LUMMOX Number 7 (to be edited by R. D. Armstrong) will open later this spring. More information is available on the LUMMOX Press website.

Below is the official “Call for Submissions”

for the “Canadian Only” anthology!

Lummox Press of San Pedro, California plans to publish an anthology of Canadian poetry.

This is open to all Canadian poets.

Interested poets are invited to send their 6 best poems to:

James Deahl; 985 Maxwell Street; Suite 112; Sarnia, Ontario; N7S 4G2

or

jedeahl (at) gmail (dot) com

Hardcopy is most welcome.

E-mailed submissions should be in one file, either .doc or .docx  (I prefer .doc).

There is no limit on length.

Poems may be published or unpublished. Poets will be required to get permission to reprint previously published work from the initial publisher.

Deadline: Wednesday, February 7, 2018

 

Additional information about LUMMOX PRESS can be found here.

Follow this blog for future profiles on Canadian authors and poets.

Coming soon: a feature on Penn Kemp, a well-known sound poet from London, Ontario.

Toronto’s Art Bar Poetry Series – A Must See and Do

We’re on our way to the famous Art Bar Poetry Series. Did I pack my camera?

Toronto skyline - October 19, 2014

Toronto, Ontario, Canada

Large cities make me nervous. Prairie wheat and southwestern Ontario corn runs through my blood so its takes courage and an experienced driver like my husband to maneuver the heavy pedestrian and motor vehicle traffic surrounding this downtown Toronto poetry reading. Even with a GPS strapped to the car’s dashboard, we miss the discounted hotel we had booked on-line.

So many distractions like in a Where’s Waldo? book! When we finally spot the main entrance tucked behind some taller buildings, we can’t find a place to park. I fumble for my cell phone and call the hotel desk to request assistance.

Then there’s the problem with our dog. Not a sliver of grass to.. (you know)… relieve himself and so he leaves a nice puddle in the underground parking lot. We hope the incident isn’t captured on closed circuit cameras but that’s another story…

As a poet, I feel it’s important to push outside one’s comfort zone. It’s easy to hide behind a computer screen and allow the words to tractor across a white field and leave word-seeds typed and planted in a straight furrow for everyone to pick and read at a later date. However, poetry is more than written words. It’s organic (like soybeans) sprouting from a writer’s pen then growing and extending further into and beyond a consumer’s mind.

It’s also rhythm and sound so studying oral presentations is vital for improving one’s poetic voice. At least that’s the advice I received from award-winning Canadian sound poet Penn Kemp during a writer-in-residence session at Western University many poetic seasons ago.

Between the wailing sirens and the honking of impatient drivers, I can still recall what other poets have said about the Art Bar Poetry Series. “It’s a permanent fixture of Toronto”. “It has a huge following.” “It’s a great place to read.” Even in rural Ontario, I’ve felt its impact. Its reputation as Canada’s longest-running poetry-only weekly reading series is strong and many emerging poets dream about being asked and featured at least once in their writing careers.

art-bar-reading-april-4-2017

The Art Bar Poetry Series (based in Toronto) is Canada’s longest-running poetry-only weekly reading series.

I never expected an invitation but was pleased when it arrived in my inbox last year.

And today, here we are…here I am…

…suitcase (and poetry books) in hand. We settle in the hotel room and I can’t wait to meet my close childhood friend. She noticed the Art Bar event advertised on Facebook and suggested a reunion. We hadn’t seen each other (in person) for close to 20 years and although Donna (one of my bridesmaids) has a strong creative side to her, this would be her first experience attending a poetry reading. I’m touched to have her join me since hubby and dog are not poetry fans and prefer to watch TV in the hotel room. She even brings along a neighbour-friend and tells me it is part of their goal to do something ‘new’ each week. I smile and feel my cheeks blush like a red pepper. She travelled 30 to 40 minutes for a quick visit. I hope she enjoys the show.

If you live in Toronto, the Art Bar reading venue is easy to reach via bicycle or public transportation, or so I’m told. The Mid East snack (2 skewers of marinated chicken breast served with 2 falafel, hummus, grilled veggies, salsa, chickpea-kale salad, pita) is excellent and was highly recommended by one of the co-hosts. The private room at the Free Times Café is ideal for showcasing the poets. There’s a stage, a microphone and I add a chair to hold my props which I forget to use. At first the spotlights challenge my eyes but then I find the right angle to connect with my printed words. Next time I’ll bring LARGER print or better yet, have my poems memorized.

Debbie Okun Hill at Art Bar Reading Series April 4, 2017 Photo 2 by Donna Henrikson

I smile and feel my cheeks blush like a red pepper. Photo by Donna.

During my Art Bar debut, over 60 people fill the room despite the competition of other poetry readings in the area including an earlier performance (by the well-known author Molly Peacock) held several blocks away. As a newcomer, I’m impressed by the variety of people in the audience. Not only are they culturally diverse but they represent a wide range of ages and include both emerging writers reading for the first time to the more experienced poets/editors/publishers. I’m comforted by seeing a few familiar faces, but many of the attendees are either strangers to me or writers I had heard about but had never met before. Call it a great place to feel the pulse of Toronto’s poetic scene!

On this evening, I share the spotlight with Phlip Arima and Ian Burgham, two well-known and experienced poets. Arima, a former artistic director of the ArtBar, dazzles the audience with his use of sound and his ability to perform his work by memory. The only time he reads from paper is when he is introducing new work. He is high energy combined with theatrics. I like how he changes his voice for each poem.

Phlip Arima (left) is a former artistic director of the series.  Ian Burgham (right) has read his work throughout Canada and the United Kingdom. Both were featured readers at the Art Bar on April 4, 2017.

Burgham is quieter (and sometimes apologetic when reading his new work) but like Arima he brings an entourage of friends and fellow poets with him. Although he has read his work throughout Canada and the United Kingdom, in an October 20, 2010 on-line interview with The Toronto Quarterly, he expressed his preference for writing versus the performing. (Many poets feel the same way.) He is the author of six poetry collections published in Canada, the United Kingdom, and Australia.

I’m in awe. Because this is my first time listening to these poets, I make note of Arima’s website here and Burgham’s feature on the Quattro Books website here. I look forward to reading more of their work in the future.

Over the years, the Art Bar has perfected their format. Each week, the series usually features three guest readers. Some are local. Others, like me, are from out-of-town or even out-of-province like Carmelo Militano, a Winnipeg poet who featured a week earlier than my reading. The evening closes with an open stage with approximately ten emerging and experienced poets.

A half hour later, the lights dim and another Art Bar evening ends as patrons slip outdoors to head home. Overall, I’m impressed but please, if you are reading this, stop by on a Tuesday evening and judge for yourself. A list of future readers appears on the Art Bar website.

I’m told, in Toronto, it is common to have two or three readings scheduled each day of the week. If I resided in this urban centre, I could slip into the audience and study them all. Can you imagine what a wonderful ‘live’ classroom this would be?

Rosa Arlotto, host at Art Bar Reading Series, April 4, 2017 in Toronto

Rosa Arlotto emcees the April 4, 2017 event. She is one of several hard-working members of the current Art Bar organizing team.

As a former co-host of a monthly open mic event in the Sarnia area for approximately 8 years, I am aware of how difficult it is to not only organize a regular reading series but to also properly promote it so that it attracts a regular following. In my opinion, the Art Bar team does an excellent job in both areas.

Team members Rosa Arlotto and Margaret Code are pleasant and professional in dealing with featured readers, open stage presenters and audience members. They praise Rob Welch for his enthusiasm and drive in organizing the featured readers from a distance. (Unfortunately, Welch is out-of-the country during my reading but I look forward to meeting him in person one day.)

The following week, I return to Toronto to support Sarnia poet Sharon Berg who reads from her new chapbook ODYSSEY and Other Poems (Big Pond Rumours Press, 2017). (Follow my blog for a future post about Berg and her new chapbook.) At the Art Bar, she features with Hamilton poet John Terpstra and Peterborough poet Betsy Struthers.

Sharon Berg photo 4 Art Bar Reading April 11, 2017 in Toronto

Sarnia poet Sharon Berg introduces her new chapbook ODYSSEY and other Poems (Big Pond Rumours Press, 2017) during the April 11, 2017 reading at the Art Bar Poetry Series in Toronto.

During their readings, I lean back, sip my drink and relax. Being a member of the audience is fun. Later, I share some new work during the Open Stage and then it’s over.

The drive back home towards the United States border is long but the time goes by quickly despite the late hour. It helps to travel with another poet; Berg and I chat the whole way. By the time I walk in the door and turn on my computer, the Art Bar Poetry Series has already posted and shared photos on Facebook. The next morning, promotions begin for the next week’s performers. I’m impressed again. Not only does this assist in widening the poets’ regional recognition but it allows out-of-towners, who cannot travel, to learn more about Canadian poets.

I smile like a stuffed potato sack filled with new experiences. The Art Bar Poetry Series is more than a vital thread in our national poetic fabric. I’ve learned it’s a home where poets can come together on a weekly basis and experience the rhythmic sounds and varied voices of poetry performed on a stage.

For me, that’s exciting news! So much support for creative folk!

Happy National Poetry Month everyone!

When Poets Heard Music They Painted

Music-Evoked Imagery created during a League of Canadian Poets workshop June 6, 2014

Music-Evoked Imagery created during a League of Canadian Poets workshop June 6, 2014

Imagine my surprise when I saw a table wrapped in white paper with various crafts supplies and paints scattered on top. After all, I was attending my first League of Canadian Poets conference. I had just finished sharing my work during the Joseph Sharman Memorial New Members Reading and was still somewhat nervous about meeting so many poets that I only knew by a name in a poetry book or anthology.

Memories of grade 1 art class flashed through my mind. I relaxed. This looked like fun and it was. Mary Rykov, an accredited music therapist and experienced Guided Imagery and Music (GIM) facilitator guided us through the workshop. 

Poets were asked to listen carefully to the selected music and while doing so, we were encouraged to create images using the supplies provided. The goal was to allow the music to guide us. I grabbed a paint brush. So did others but in time, sparkles and ribbon and other craft supplies were utilized. Then we were asked to walk around the long, long table and when inspired to do so, we could add our creative touches to someone else’s work. Some of the poets added words. Others continued to create art.

Music Evoked Imagery Workshop June 6, 2014 photo 4

In a hand-out sheet called “Music-Evoked Imagery”, Rykov wrote: “Some writers and poets work while listening to music. Some use music initially for inspiration, and then proceed in silence. Others do not use music at all.”

Music Evoked Imagery Workshop June 6, 2014 photo 2

How do you use or not use music to guide your writing? Some writers turn to artwork for inspiration. Perhaps some of these images created by professional Canadian poets during this June 6, 2014 workshop may evoke a poem or two in you.

Music Evoked Imagery Workshop June 6, 2014 photo 3

Can you guess which music-evoked image is mine?