Author Archives: d78hill

About d78hill

Canadian poet, blogger and freelance writer. Member of the League of Canadian Poets, the Writers' Union of Canada, the Canadian Authors Association, and a past President of The Ontario Poetry Society. Author of Tarnished Trophies (Black Moss Press, 2014)

Resources to Help Sell Your Poetry Book

You might be saying to yourself, “I’m not a PR professional. Isn’t my publisher supposed to do this?” – Jeannine Hall Gailey, author of PR for Poets: A Guidebook to Publicity and Marketing*

Relying on a publisher to promote a book isn’t enough!

Several years ago, when I signed my contract for my first trade book Tarnished Trophies (Black Moss Press 2014), I knew marketing a poetry book would be a challenge. I was a PR professional, college-trained (back in the days when there were no public relations courses taught at the university level in Canada). I had mastered the basics and honed more advanced skills while handling marketing and communication assignments in the visual arts and university/college sectors. I worked with the media and knew how to pitch a news story, plan an advertising campaign, and prepare a marketing strategy.

What resources will you use - OkunHill

The ABC’s of promoting a poetry book isn’t always black and white! Photo by OkunHill

I also knew that wasn’t enough. I needed more research, more inside information about the book industry especially how to attract a poetry-loving-buying audience. I had heard enough stories to know that small press publishers relied on their writers, especially first time authors to help promote their work. The truth was that most publishers wanted their authors to succeed but the reality was that publishers had limited staff and financial resources to help everyone.

As one experienced writer once warned me, “if you think it’s challenging to find a publisher for your first book, think about how difficult it would be to get another publisher when your first book flops.

Yikes! That would scare any new writer into action.

But where does a poet look for help?

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In Conversation with Edmonton Poet Kelly Shepherd

“We dream when we sleep; Magpies dream/when they fly in the rain. We might not always remember, /but every one of our dreams is about either leaves or feathers.” – Kelly Shepherd*

A few days ago, I posted a review of Kelly Shepherd’s Insomnia Bird: Edmonton Poems (Thistledown Press, 2018). The author impressed me with his “mind-warping, playful, and clever” work but who was this western Canadian poet with such layered words woven with humour and twigs?  I decided to find out. Below is our conversation (edited slightly for length, order, and flow).

Edmonton poet Kelly Shepherd Photo by Randell Edwards Photography

Introducing Canadian poet Kelly Shepherd  Photo by Randall Edwards Photography

Hi Kelly! Before I received your book Insomnia Bird for review, I wasn’t familiar with your work. I had never seen a magpie, one of the star attractions in your second collection of poetry. Even my first-hand knowledge of Edmonton was limited despite short visits over the years. Initially, I wondered whether your book would speak to me, the outsider looking in. As it turned out, it held me captive.

At what point in your writing process did you decide to set the poems in Edmonton versus somewhere more generic? What local insights would the book offer to the residents versus the universal themes that would appeal to readers living outside the area, province, or even another country?

This was a concern when I was starting to compile these poems: how accessible is this book going to be, to people who aren’t familiar with Edmonton? Will it even make sense?

Because Insomnia Bird is all about Edmonton-specific places, happenings, and landmarks. Some of the references are quite obscure, but they’re not inaccessible. I’ve had several people comment on the pleasant surprise of finding one of these details that they recognize from their own experience of Edmonton.

But hopefully, in spite of this ‘specificity’, there’s still enough of the familiar in the descriptions of public transit, for example, or urban wildlife, that people who don’t know Edmonton will still recognize these things. On one level, Edmonton is very uniquely Edmonton in this book; on another level Edmonton can stand in for almost any city. It becomes everycity’.

Some of these poems celebrate Edmonton, but others are quite critical of the city and its culture, for example our destructive addictions to fossil fuels and big trucks, and our tendency toward urban sprawl, and the thinly-veiled colonialism inherent in many institutions. And so on. Insomnia Bird is a study in shadow geography, which means it looks at those aspects of a place which are hidden, or repressed. It looks for the details a city wouldn’t include in its tourist brochures.

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Cleverly-woven –Kelly Shepherd’s Insomnia Bird – Edmonton Poems

“Magpie: twilight bird–…//nest builder and robber of nests –//you hop and clatter on the road like hail.” – Kelly Shepherd*

Kelly Shepherd’s Insomnia Bird: Edmonton Poems (Thistledown Press, 2018)** is not a clichéd-flighty-fly-by-night book about the black-billed magpies set against a northern Albertan cityscape. It’s mind-warping, playful, and clever: an a(musing)-gathering-of-facts-and-twigs-and-words, (by a trickster bird) architecturally structured and constructed and carefully woven into a literary nest inspired by Edmonton’s urban growth.

Insomnia Bird cover

Insomnia Bird: Edmonton Poems (Thistledown Press, 2018) by Kelly Shepherd ISBN 978-1-77187-169-3 (softcover)

CAUTION: Do not attempt to read this well-researched book in one sitting (especially at night). Each poem deserves a slow and careful read to fully appreciate the complexity and depth of the work. Reading the book several times is advised.

Layered with wit and dust and city noise, a cacophony of provocative sounds and images, some illuminated like LED billboards, some more subdued like sandblasted cement, this collection of 53 found and lyrical poems kept this country night owl awake: thinking and staring outside an imaginary bus window and into the hum of the glaring street lights.

Expect some travelling on highways littered with snake-skinned truck tires, and congested roads along homeless shelters, construction zones, city buildings, and trees that breathe with plastic bag lungs (p.97). I especially marveled at how the poems with couplets and tercets rhythmically reminded me of riding an early morning bus (or train), half-asleep like a zombie, void of emotion despite reading the daily paper and ripping out tidbits of information for future consumption.

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In Conversation with London Poet Andreas Gripp

It is my hope to assist in raising the profile of poetry in this region and to emphasize through readings and events that it is an inclusive art open to all.”* – Andreas Gripp

London poet and publisher Andreas Gripp is one of the hardest-working writers that I know.

This week, I chatted with the Synaeresis: arts + poetry magazine editor and Mykonos Open Mic Poetry Series organizer about his involvement with the literary community and his thoughts about poetry’s future in such a busy (and noisy) digital era.

andreas reading mykonos oct 2016 (2)

Gripp wears many hats. In addition to organizing the new Mykonos Open Mic Poetry Series, editing the digital literary magazine Synaeresis, publishing books for and with Harmonia Press, he can also be seen sharing work from his own poetry collections.

Andreas, you’ve been part of London, Ontario’s poetry community since 1994 and during that time you’ve worn many hats. Recently you took on the role as the organizer for the new Mykonos Open Mic Poetry Series which is being held on the second Tuesday of every month. Why is a poetry reading series (like the one you are organizing) so important to the community?

London has always been in need of a place where poets of varied experience, as well as newcomers, can share their work. Without a literary open mic, the opportunities are few and far between (if at all). It’s where we meet old friends and new talent. The featured reader is someone who has taken their craft further than simply writing on paper and keeping it in a box. It’s a poet who has shared their work publicly, in print or digitally, and can be inspiring to those of us who may not be there yet.

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‘Tis the Season for Books – A Potpourri of Literary News

“the snow is solitary/but not silent/there is the piercing /of the white-stained green” – David Stones*

Writing and reading may be solitary pursuits but like the snow mentioned in David Stones’ poetic lines above, Canada’s vast literary community is not silent. It is a flurry of words, sometimes a blizzard of voices supported by a potpourri of literary activities and events.

Below is a small scoop of national, regional, or local voices, plus books, projects, and events vying for your attention. May you open your heart this season and welcome the gift of creativity. Several of the local events are free. Many of these books are available for reading from the library.

FOR THE READERS:

NEW ON MY SHELF (in alphabetical order, according to author):

Conditions of Desire (Hidden Brook Press, 2018) by John Di Leonardo. This imprint of the John B. Lee Signature Series is a 74-page debut collection of ekphrastic poems as well as six drawings by Brooklin artist/poet John Di Leonardo. Di Leonardo was recently accepted as a full-member of The League of Canadian Poets and will be the editor/compiler/illustrator for Dancing on Stones, the 2019 membership anthology for The Ontario Poetry Society. More information about this submission call is available here. Watch for a Q and A feature in early 2019.

New Books on my Shelf Autumn 2018

New books on my shelf.

Out of Line: Daring to be an Artist Outside the Big City (Wolsak and Wynn, 2018) by Tanis MacDonald. What can I say? This book of essays collected no dust on my shelf. It spoke to me immediately and I highly recommend it to my rural (and urban) writing friends. As a former Manitoba resident, I recognized some of the issues MacDonald expressed. As a current writer in rural Ontario, I also found her words inspiring. “Remember that creating art is a Long Game; it will take your whole life to grow into the artist that you are.” (p. 61)

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Tom Cull, London’s Poet Laureate Loves to Make People Laugh

“Returning from a night ride,/the bat takes off his leathers.” – Tom Cull*

I laugh as I read and review this new book.

Let’s say bad animals (Insomniac Press 2018) is a hybrid between “a Red Bull of owls” hoot-enanny and “a threnody of hyenas”. Created by Tom Cull, London Ontario’s current poet laureate and a new poetic voice in the CanLit scene, this pocket-sized book (with a beaver-inspired cover) overflows with his fun-filled humour as he shines a flashlight on underlying concerns with our changing environment.

June 1, 2018 in London

Tom Cull’s bad animals was officially launched June 1, 2018 at London Bicycle Café in London, Ontario.

Overall, I liked Cull’s approach. His impressive debut collection of 41 wild (think mischievous) and bad-animal inspired poems surprised me (in a good way) with his surreal yet accessible images: drowning machines, a poet of dodos, Saturday six-pack anglers, schools of strollers, and a plethora of four- and two-legged animals including swimming pigs and teenaged boys!

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Chatting with Canadian Poet Bernice Lever

Gonna kick up these old heels/Swing on that shiny pine floor/Stamp feet to that drum beat./Oh, find some lovin’ galore* – Bernice Lever

 You won’t find Canadian poet Bernice Lever resting on her laurels in an easy chair. Even at the golden age of 80 plus years, she’s much too busy for that.

Berrnice Lever at World Peace Poets 6th Read-In October 6, 2018 in Bellingham, Washington Photo courtesy Ashok K. Bhargava

Canadian Poet Bernice Lever reads at World Peace Poets 6th Read-In, October 6, 2018 in Bellingham, Washington. Photo courtesy of Ashok K. Bhargava

In addition to working on her 11th book of poetry expected to be published in 2019, she is still giving readings and workshops. Earlier this month, she was one of six Canadian and 31 American poets to read at the World Peace Poets 6th Read-In in Bellingham, Washington.  Two of her poems featured at that event will be published in a December chapbook.

Tamaracks - Lummox Press 2018 - front cover

Lever is one of 113 Canadian poets from Halifax to Vancouver published in TAMARACKS: Canadian Poets for the 21st Century (Lummox Press 2018)

Additional work recently appeared in two anthologies published by Lummox Press in San Pedro, California: LUMMOX Number 7 and TAMARACKS: Canadian Poetry for the 21st Century. She also had four poems featured in Delicate Impact, an anthology released by Beret Days Press in the summer

In April, the League of Canadian Poets highlighted her poem “Not Just My Bunions” for Poem In Your Pocket Day. (Read more here.) Plus one of her poems was selected for Poetry Pause the League’s new on-line showcase to be launched this November.

Recently, she was welcomed to share her praise of her multi-talented publisher, Marty Gervais and of his five decades of leading Black Moss Press and his national prize winning literary magazine. This coming book is edited by well-known writer Bruce Meyer.

Bernice Lever has made such an extensive contribution to the literary community that several organizations including the League, the Canadian Authors Association, and The Ontario Poetry Society have honoured her with Life Memberships.

I recently chatted with Bernice about her literary life, philosophy, and future goals.

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